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Raoul Birnbaum
Raoul Birnbaum
Raoul Birnbaum works in the interdisciplinary field of Buddhist studies. His work focuses on the variety of historically and socially situated views of the world associated with Chinese Buddhists: at specific times and places, how have Buddhists characteristically seen the world, where does meaning reside for them, in what ways have these matters been articulated and transmitted?
Early publications highlighted some of the principal “deity” cults (of buddhas and bodhisattvas) that engaged the imaginations of medieval Chinese Buddhists and continue to flourish to the present day. In relation to these deity cults, Birnbaum also looked to the mountain pilgrimage sites that together form a latticed network of power in Chinese conceptions of the landscape. More recently, his research has focused mainly on Buddhist life in modern China (late nineteenth century to the present), with a long-term project on the dazzlingly talented monk Hongyi (1880-1942), a notable Buddhist teacher as well as a highly disciplined and original calligrapher. He also has been looking at a parallel period and figure, the seventeenth-century monk-painter Kuncan, who carried out his work in the midst of upheaval as the Ming dynasty fell to Manchu invaders. This study of Kuncan and his contemporaries was part of a larger, team-based project that led to an exhibition at the Los Angeles County Museum of Art (LACMA) - "Alternative Dreams: 17th-Century Chinese Paintings from the Tsao Family Collection," August-December, 2016.
In addition to continuing study of Chinese Buddhist texts and visual materials, Birnbaum's work has been strongly influenced by intensive field study over several decades within Chinese Buddhist monastic communities and across a wide variety of the mountain sites that form the backbone of this tradition’s conceptual geography.
Fall Quarter, 2017: Wednesdays 11:00-1:00 and by appointment
Winter Quarter, 2018:
Spring Quarter, 2018:
Raoul Birnbaum
University of California, Santa Cruz
Cowell Faculty Services
1156 High Street
Santa Cruz, CA 95064
WORKS IN ACTIVE PREPARATION
"Why was Vinaya Master Hongyi so interested in Vinaya?," for Vinaya Revival in 20th-Century China and Taiwan, project directed by Ester Bianchi and Daniela Campo, in preparation.
"Master Hongyi’s Teachings on the Buddha of Healing, a Twentieth-Century Approach," for Buddhism and Medicine: An Anthology. Vol. 2: Modern and Contemporary Voices, ed. Pierce Salguero (under contract with Columbia University Press), translations and introduction in preparation.
Long-term book project in active preparation: a study of the many worlds of the extraordinary twentieth-century Buddhist artist-monk, Hongyi Dashi (1880-1942).
BOOKS
The Healing Buddha (Boulder: Shambhala, 1979; London: Rider, 1980; Boston: Shambhala, revised edition, 1989 [additional chapter and preface]. Il Buddha della Guarigione: Il Guaritore Divino nel Buddhismo, tr. Patrizia Nicoli (Rome: Ubaldini, 1981). Der Heilende Buddha, tr. Rosemarie Fuchs (Bern, Munich, Vienna: Otto Wilhelm Barth, 1982).
Studies on the Mysteries of Mañjusri: A Group of East Asian Mandalas and their Traditional Symbolism (Boulder: Society for the Study of Chinese Religions, 1983).
SHORTER INDEPENDENT WORKS
Face to Face: subterranean appearances and the interior world of Chris Russell (Brooklyn: Center for Strategic Art and Agriculture, 2013).
SELECTED RECENT ESSAYS
"Highland Inscriptions in Buddhist China," T'oung Pao 103.1-3 (2017).
"Two Turns in the Life of Master Hongyi, a Buddhist Monk in Twentieth-Century China," in The Making of Saints in Modern China, ed. David Ownby, Vincent Goossaert, and Ji Zhe (New York: Oxford University Press, 2017), 161-208.
"When is a 'Chinese Landscape Painting' also a 'Chinese Buddhist Painting'?: Approaches to the Works of Kuncan (1612-1673) and Other Enigmas," in 17th-Century Chinese Paintings from the Tsao Family Collection, ed. Stephen Little (Los Angeles: Los Angeles County Museum of Art, 2016), 94-129. Volume received the 38th annual George Wittenborn Memorial Book Award from the Art Libraries Society of North America (ARLIS/NA).
"Human Traces and the Experience of Powerful Places: A Note on Memory, History, and Practice in Buddhist China," in Images, Relics, and Legends: The Formation and Transformation of Buddhist Sacred Sites, ed. James A. Benn, Jinhua Chen, and James Robson (Toronto: Mosaic Press, 2012), 113-138.
"In Search of an Authentic Engaged Buddhism," Religion East & West 9 (2009), 25-39. French translation in Voies de l'Orient 122 (Winter, 2012), 20-36.
"The Deathbed Image of Master Hongyi," in The Buddhist Dead: Practices, Discourses, Representations, ed. Jacqueline Stone and Bryan Cuevas (Honolulu: University of Hawai'i Press, 2007), 175-207.
"Light in the Wutai Mountains," in The Presence of Light: Divine Radiance and Religious Experience, ed. Matthew T. Kapstein (Chicago: University of Chicago Press, 2004), 195-226.
"Buddhist China at the Century’s Turn," The China Quarterly, no. 174 (June, 2003), pp. 428-50. Reprinted in Daniel Overmyer, ed., Religion in China Today (Cambridge: Cambridge University Press, 2003), 122-44.
"Master Hongyi Looks Back: A 'Modern Man' Becomes a Monk in Twentieth-Century China," in Buddhism in the Modern World: Adaptations of an Ancient Tradition, ed. Steven Heine and Charles S. Prebish (New York: Oxford University Press, 2003), 75-124.
SELECTED EARLIER ESSAYS
"Secret Halls of the Mountain Lords: The Caves of Mount Wutai," Cahiers d'Extrême-Asie 5 (1989-1990) [Etudes taoïstes en l'honneur de Max Kaltenmark], 115-40.
"Chinese Buddhist Traditions of Healing and the Life Cycle," in Healing and Restoring: Medicine and Health in the World's Religious Traditions, ed. Lawrence E. Sullivan (New York: Macmillan, 1989), 33-58.
"The Manifestation of a Monastery: Shenying's Experiences on Mount Wutai in Tang Context," Journal of the American Oriental Society 106.1 (1986) [Sinological Studies in Honor of Edward H. Schafer, ed. Paul W. Kroll], 119-37.
"Seeking Longevity in Chinese Buddhism: Long Life Deities and their Symbolism," Journal of Chinese Religions 13-14 (1985-1986), 143-176.
"Notes on the Provenance and Meaning of a Central Asian Narrative Manuscript," in Along the Ancient Silk Routes: Central Asian Art from the West Berlin State Museums, ed. Herbert Härtel and Marianne Yaldiz (New York: The Metropolitan Museum of Art, 1982), 214-15.
"Buddhist Meditation Teachings and the Birth of 'Pure' Landscape Painting in China," Bulletin of the Society for the Study of Chinese Religions 9 (1981), 42-58.
Courses Regularly Taught
COWL 84 Chinese Approaches to Human Values
HAVC 22 Religion and Visual Culture in China (large lecture)
HAVC 122A Sacred Geography in China
HAVC 127A Buddhist Visual Worlds (large lecture)
HAVC 127B Buddhist Pure Lands
HAVC 190D The World of the Lotus Sutra
HAVC 190F Chan Texts and Images
HAVC 190G Buddhist Wisdom Traditions
HAVC 203 Buddhist Views of the Human Body
Recent honors
Member, Institute for Advanced Study, Princeton, Fall 2016
Gary D. Licker Memorial Chair at Cowell College (UCSC), 2015-2018
University of California Humanities Research Institute, residential fellowship, Fall 2015
Hooker Distinguished Visiting Professor, McMaster University (Ontario, Canada), October 2013
University-wide Excellence in Teaching award from UCSC Academic Senate, 2013