- UC Santa Cruz
- Visual Studies PhD
Raoul Birnbaum works in the interdisciplinary field of Buddhist studies. His studies are concerned with understanding the variety of historically and socially situated views of the world associated with Chinese Buddhists: at specific times and places, how have Buddhists characteristically seen the world, where does meaning reside for them, in what ways have these matters been articulated and transmitted?
Early publications focused on some of the principal “deity” cults (of buddhas and bodhisattvas) that engaged the imaginations of medieval Chinese Buddhists and continue to flourish to the present day. In relation to these deity cults, Birnbaum also looked to the mountain pilgrimage sites that together form a latticed network of power in Chinese conceptions of the landscape. More recently, his research has focused mainly on Buddhist life in modern China (late nineteenth century to the present), with a long-term project on the dazzlingly talented monk Hongyi (1880-1942), a notable Buddhist teacher as well as a highly disciplined and original calligrapher. He also is looking at a parallel period and figure, the seventeenth-century monk-painter Kuncan, who carried out his work in the midst of upheaval as the Ming dynasty fell to Manchu invaders. This study of Kuncan and his contemporaries is part of a larger, team-based project in progress at the Los Angeles County Museum of Art (LACMA), in preparation for a major exhibition of seventeenth-century paintings in late 2016.
In addition to continuing study of Chinese Buddhist texts and visual materials, Birnbaum's work has been strongly influenced by intensive field study over several decades within Chinese Buddhist monastic communities and across a wide variety of the mountain sites that form the backbone of this tradition’s conceptual geography.
University of California at Santa Cruz
Cowell Faculty Services
1156 High Street
Santa Cruz, CA 95064
WORKS FORTHCOMING, UNDER REVIEW, OR IN ACTIVE PREPARATION
Long-term book project in active preparation: a biographical study of the extraordinary twentieth-century Buddhist monk and cultural figure, Hongyi Dashi (1880-1942).
"When is a 'Chinese Landscape Painting' also a 'Chinese Buddhist Painting'?: Approaches to the Works of Kuncan (1612-1673) and Other Enigmas," in Alternative Dreams: Seventeenth-Century Chinese Paintings from the Tsao Family Collection, ed. Stephen Little (Los Angeles: Los Angeles County Museum of Art, forthcoming 2016), pp. 94-129.
"Two Turns in the Life of Master Hongyi, a Buddhist Monk in Twentieth-Century China," in The Making of Saints in Modern China, ed. Vincent Goossaert, Ji Zhe, and David Ownby (New York: Oxford University Press, forthcoming 2016).
The Healing Buddha (Boulder: Shambhala, 1979; London: Rider, 1980; Boston: Shambhala, revised edition, 1989 [additional chapter and preface]. Il Buddha della Guarigione: Il Guaritore Divino nel Buddhismo, tr. Patrizia Nicoli (Rome: Ubaldini, 1981). Der Heilende Buddha, tr. Rosemarie Fuchs (Bern, Munich, Vienna: Otto Wilhelm Barth, 1982).
Studies on the Mysteries of Mañjusri: A Group of East Asian Mandalas and their Traditional Symbolism (Boulder: Society for the Study of Chinese Religions, 1983).
Buddhist Practice, Inside and Outside: Chinese Buddhist Approaches to Engagement with the World (Chicago: Open Court, 2016 [in preparation]).
SHORTER INDEPENDENT WORKS
Face to Face: subterranean appearances and the interior world of Chris Russell (Brooklyn: Center for Strategic Art and Agriculture, 2013).
SELECTED RECENT ESSAYS
"Buddhist China at the Century’s Turn," The China Quarterly, no. 174 (June, 2003), pp. 428-50. Reprinted in Daniel Overmyer, ed., Religion in China Today (Cambridge: Cambridge University Press, 2003), pp. 122-44.
"Master Hongyi Looks Back: A 'Modern Man' Becomes a Monk in Twentieth-Century China," in Buddhism in the Modern World: Adaptations of an Ancient Tradition, ed. Steven Heine and Charles S. Prebish (New York: Oxford University Press, 2003), pp. 75-124.
"Light in the Wutai Mountains," in The Presence of Light: Divine Radiance and Religious Experience, ed. Matthew T. Kapstein (Chicago: University of Chicago Press, 2004), pp. 195-226.
"The Deathbed Image of Master Hongyi," in The Buddhist Dead: Practices, Discourses, Representations, ed. Jacqueline Stone and Bryan Cuevas (Honolulu: University of Hawai'i Press, 2007), pp. 175-207.
"In Search of an Authentic Engaged Buddhism," Religion East & West 9 (2009), pp. 25-39. French translation in Voies de l'Orient 122 (Winter, 2012), pp. 20-36.
"Human Traces and the Experience of Powerful Places: A Note on Memory, History, and Practice in Buddhist China," in Images, Relics, and Legends: The Formation and Transformation of Buddhist Sacred Sites, ed. James A. Benn, Jinhua Chen, and James Robson (Toronto: Mosaic Press, 2012), pp. 113-138.
Courses Regularly Taught
COWL 84 Chinese Approaches to Human Values
HAVC 22 Religion and Visual Culture in China (large lecture)
HAVC 122A Sacred Geography in China
HAVC 127A Buddhist Visual Worlds (large lecture)
HAVC 127B Buddhist Pure Lands
HAVC 190D The World of the Lotus Sutra
HAVC 190F Chan Texts and Images
HAVC 190G Buddhist Wisdom Traditions
HAVC 203 Buddhist Views of the Human Body
Gary D. Licker Memorial Chair at Cowell College (UCSC), 2015-2018
University of California Humanities Research Institute, residential fellowship, Fall 2015
Hooker Distinguished Visiting Professor, McMaster University (Canada), Fall 2013
University-wide Excellence in Teaching award, UCSC, 2013