Stacy Kamehiro's research focuses on colonial Hawaiian visual and material culture. She has published on textiles, architecture and race images in nineteenth-century American trade card lithography, and scientific images produced during Pacific voyaging expeditions. Her book, The Arts of Kingship (University of Hawai'i Press, 2009), offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Kamehiro's current work examines the politics of art organizations in Hawai'i following the overthrow of the monarchy as well as nineteenth-century Hawaiian material culture collecting and exhibition practices in local and international contexts.
Fall 2018: Wednesdays, 3:30-5:30 (in Porter D210). Please sign up for an appointment here.
History of Art and Visual Culture Department
Porter Faculty Services
University of California
1156 High Street
Santa Cruz, CA 95064
The Arts of Kingship: Hawaiian Art and National Culture of the Kalakaua Era. Honolulu: University of Hawai'i Press, 2009. (2nd edition published 2016 by Hawai'i Scholarship Online, Oxford University Press Scholarship Online.)
Articles & Contributions to Books
"Worlding the Kingdom of Hawaiʻi: The Art of International Relations," in Hoʻohawaiʻi: The King Kalākaua Era, ed. Healoha Johnston. Honolulu: Honolulu Museum of Art and the University of Hawaiʻi Press, 2018 (forthcoming).
"From Trans-Mississippi to Greater America: Hawaiʻi and the Philippines at the Expositions," in The Trans-Mississippi Exposition of 1898: Art, Anthropology and Popular Culture, ed. Wendy Katz. Lincoln: University of Nebraska Press, 2018. Co-authored with Danielle Crawford.
Review of Re-Positioning Pacific Arts: Artists, Objects, Histories, ed. Anne E. Allen with Deborah N. Waite (Canon Pyon, U.K.: Sean Kingston Publishing, 2014), in The Contemporary Pacific 28(2), 2016, 508-511.
"Beyond Conservation: Modeling Meaningful Community Collaboration in Hawaiʻi," Pacific Studies 39(3), 2016, 375-393. Co-authored with Maile Arvin.
"Featherwork in the Hawaiian Monarchy Period, c. 1820-1893," in Royal Hawaiian Featherwork: Nā Hulu Aliʻi, ed. Leah Caldeira, Christina Hellmich, Adrienne L. Kaeppler, Betty Lou Kam, and Roger G. Rose, 80-105. Honolulu: University of Hawaiʻi Press; San Francisco: Fine Arts Museums of San Francisco in collaboration with the Bernice Pauahi Bishop Museum, Honolulu, 2015.
"Hawai'i at the World Fairs, 1867-1893," World History Connected (University of Illinois Press), Vol. 8, No. 3, 2011. (Special Issue, Hawai'i in World History, ed.Christine Skwiot.) Link to article.
“Documents, Specimens, Portraits: Dumoutier’s Oceanic Casts.” In Fiona Pardington: The Pressure of Sunlight Falling, ed. Kriselle Baker and Elizabeth Rankin. Dunedin, New Zealand: Otago University Press, 2011.
"About the Artist: Jewel Castro," The Contemporary Pacific, Vol. 20, no. 2, 2008.
“Hawaiian Quilts: Chiefly Self-Representations in 19th Century Hawai‘i.” In Pragmatic Creativity and Cultural Hybridity: Textiles in and of the Pacific, ed. Phyllis Herda, Ping-Ann Addo, and Heather Young-Leslie. Special volume of The Journal of the Pacific Arts Association, new series, Vols. 3-5, 2007.
“Iolani Palace: Spaces of Kingship in Late Nineteenth Century Hawai‘i,” Pacific Studies, Vol. 29, Nos. 3-4, 2006.
“Representations of the Chinese in Nineteenth Century American Trade Cards,” Journal of Asian Culture, Vol. 17, 1995.
Co-curator (with Dr. Ping-Ann Addo), “Cloth and Culture in Oceania: Bark Cloth from Samoa, Tonga, Fiji, and the Marquesas Islands.” UCSC Women’s Center.
Co-director, “Katherine Ng, Book Arts,” Peppers Art Gallery, University of Redlands, Redlands, California
Co-director, “El Nopal: Photomechanical Reproductions by Mexico City and L.A. Artists” (included the work of Daniel J. Martinez, Rubén Ortiz-Torres, John Valadez, Pia Elizondo, John Baldessari, Laureana Toledo, Carlos Somonte, Daniela Rossell, and Francesco Siqueiros), Peppers Art Gallery, University of Redlands, Redlands, California
Co-director, “Image and Text in Asian Art,” Peppers Art Gallery, University of Redlands, Redlands, California
Co-director, “ARTillery art collective” (a Los Angeles-based women’s art collective), Peppers Art Gallery, University of Redlands, Redlands, California
Co-director, “Art As Mediation,” Peppers Art Gallery, University of Redlands, Redlands, California
"Science, Religion, and Nineteenth-Century Hawaiian Collections," Making Material Histories program series, Williams College, Williamstown, Massachusetts, 2018. In conjunction with the exhibition 'The Field is the World': Williams, Hawai`i, and Material Histories in the Making.
"From Trans-Mississippi to Greater America: Hawai'i at the Omaha Expositions, 1898-1899," Nineteenth Century Studies Association Conference, The New and the Novel in the 19th Century, Lincoln, Nebraska, 2016.
"Relgious Practice, Scientific Inquiry, and 19th-Century Hawaiian Collections," Collections in Flux: The Dynamic Spaces and Temporalities of Collection, Clark Library, Los Angeles, 2014.
"Unsettling Pacific Visions: Complicity and Contestation in Kanaka Maoli (Native Hawaiian) and Sāmoan Contemporary Art, session chair and respondent, College Art Association Annual Conference, Chicago, 2014.
"ʻIolani Palace," Hawaiʻi Museum Association and Friends of ʻIolani Palace, Honolulu, 2013.
"Natural Theology, Scientific Inquiry, and Natural and Material Culture Collections in the Kingdom of Hawaiʻi, c. 1830-1890," Pacific Arts Association International Symposium, University of British Columbia, 2013.
"Palaces and Sacred Spaces: ʻIolani Palace, Honolulu, Hawaiʻi," Paul H. and Erika Bourguinon Lecture Series in Art and Anthropology, Ohio State University, 2013.
"Material Manifestations of Hawaiian Modernity: The Collection and Display of Cultural and Natural History in the Nineteenth Century," 8th International Conference on Easter Island and the Pacific, 2012.
“Hawai’i and the World Fairs, 1867-1893,” College Art Association 98th Annual Conference, 2010.
“Native Hawaiian Collecting and Collections, 1850-1900,” for Session: “Pacific Pasts, Agency, Archives, and Artifacts.” Association for Social Anthropology in Oceania, 2009.
“The Kilohana Art League: Americanizing Hawaiian Art and Culture, 1894-1913,” College Art Association 96th Annual Conference, 2008.
“(Re)Collecting History: The Hawaiian National Museum.” College Art Association 94th Annual Conference, 2006.
“Representations” Panel. Approaches to an Interdisciplinary Pacific Studies Conference, University of California, Santa Cruz, 2004.
“Art Patronage from an Indigenous Hawaiian Perspective: King Kalākaua’s ‘Iolani Palace.” College Art Association 90th Annual Conference, 2002.
“The Aesthetics and Functions of Hawaiian Quilts.” Annual Colloquium on the Arts of Africa, Oceania, and the Native Americas, Pre- and Post-Columbian, 1989.
HAVC 70: Introduction to the Visual Cultures of Oceania
HAVC 80: Introduction to the Visual Cultures of Africa, Oceania, and the Native Americas: Colonial Histories and Legacies
HAVC 170: The Art of the Body in Oceania
HAVC 172: Textile Traditions of Oceania
HAVC 185: Art & Community: Arts Professions & Community Engagement
HAVC 190W: Art & Culture Contact in Oceania
HAVC 190X: Art & Identity in Oceania
HAVC 270: Colonial Cultures of Collecting & Display
HAVC 273: Colonial Borderlands
HAVC 275: Visual Cultures of Travel & Tourism in Oceania
Selected Honors and Grants
EVC's Fellows Academy, UCSC, 2018-19.
Clare M. Wedding Student Enrichment Fellowship, UCSC, 2018-19.
Silicon Valley Community Foundation Project Grant, 2018.
University of California Humanities Research Institute Pacific Worlds Multi-Campus Working Group Grant for "Transpacific Dis/Positions: Crosscurrents in Indigenous, Diasporic, and Colonial Histories of Oceania," 2017-18.
Clare M. Wedding Student Enrichment Fellowship, UCSC, 2017-18.
National Endowment for the Humanities America's Historical and Cultural Organizations Implementation Grant for 2015-18. Member of project team. "Points of Contact: Continuity and Change at ʻIolani Palace," PI: Heather Diamond.
Patricia and Rowland Rebele Endowed Chair in the History of Art and Visual Culture, UCSC, 2014-present.
Arts Research Institute Major Project Grant, UCSC, 2013-15.
National Endowment for the Humanities America's Cultural and Historical Organizations Planning Grant for 2013-14. Member of project team. "Points of Contact: Continuity and Change at ʻIolani Palace," PI: Heather Diamond.
Porter College Distinguished Visiting Artist Grant for Shigeyuki Kihara (lectures and performance), UCSC, 2013.
Porter College Festival Funds (with Henry Highton) for Salt of the Earth: Exploring the Cultural Diasporas of Surfing (conference), UCSC, 2013.
Award for Universal Design in Instruction. Disability Resource Center and Campus Diversity Office, UCSC, 2011.
UCSC Arts Division, Excellence in Mentoring Award, 2009-10.
Book, The Arts of Kingship: Hawaiian Art and National Culture of the Kalakaua Era, nominated for the Hawai’i Book Publishers Association – 2010 Ka Palapala Po‘okela Awards in the categories of “Excellence in Hawaiian Culture” and “Excellence in Nonfiction.”
President’s Research Fellowship in the Humanities. University of California, Office of the President, 2008-09.
Fellow, Association for Social Anthropology in Oceania, 2008.
Arts Research Institute, Major Project Grants, UCSC, 2004-05, 2005-06, and 2010-11.
Porter College Research Fellowships, UCSC, 2005-06, 2006-07, 2009-10, 2011-12.
Associate Fellow, International Quilt Study Center, College of Education and Human Sciences. University of Nebraska, Lincoln, 2004-16.