
Diversity, Equity, and Inclusion (DEI)
History of Art & Visual Culture DEI Plan
Coordinated by faculty members in the History of Art & Visual Culture Department
Preamble
The History of Art and Visual Culture faculty affirms its commitment to recognizing, addressing, and combatting all forms of discrimination, including discrimination on the basis of race, ethnicity, religion, gender, sexuality, and ability. The department collectively seeks to empower students, colleagues, and our campus community toward the goal of creating an inclusive, respectful, and equitable environment. We recognize that the above types of discrimination and resulting oppression are not limited to the U.S. These are global challenges that impact a broad range of constituencies. Therefore, as a department, we share an ethical obligation to create an environment that addresses the unique forms of bias that affect our diverse community.
Prior Actions
The HAVC Department recognizes that statements of commitment are only one step toward achieving these goals and that consistent action is needed in order for positive change to occur. This is especially true in the contexts of education and the study of visual culture. Both have been used to create narratives that exclude, often in service of a politics of marginalization or erasure. In our efforts to resist and oppose such hierarchies we have:
- Changed the name from Art History to History of Art and Visual Culture; re-naming, which was approved for fall 2003, was one of the first steps taken by the department to be more inclusive and less Euro-centric (as the category “art” possesses a distinctly Western genealogy).
- Taken voluntary training in unlearning biases, administered by UCSC’s Office of Equity, Diversity, and Inclusion, with the full participation of a united staff and faculty
- Structured our curriculum around the complex intersections between cultures and identities; this is an ongoing task that precipitates rich discussion among the faculty at several annual junctures, including the preparation of the CLP (Curriculum and Leave Plan) and faculty FTE requests as well as in discussions responding to external reviews.
- Created a concentration in Curation, Heritage, and Museum studies in which students learn about decolonizing approaches to curation and heritage. This concentration allows HAVC majors to apply their visual culture knowledge in more specialized classes that focus on the practicalities and politics of collecting, display, and community care.
- All faculty integrate discussions of equity and power into their courses.
As a department, we are committed to sustaining efforts to foster change and to consistently acknowledge how various forms of discrimination impact our department, campus, and the community at large—while also addressing the negative effects that forms of bias have on students, faculty, and staff members. We understand this to be an ongoing effort, which is likely never to be fully completed. It is, however, an urgent aspiration requiring action.
10-Year Plan: Goals for Change and Self-Evaluation
Based upon faculty, staff and student feedback, the DEI committee has pinpointed the following areas where tangible improvement can be made—with the aim of strengthening the History of Art and Visual Culture Department, and moving it closer to realizing its stated values and commitments.
FACULTY
- Work to strengthen coverage of specific fields that are underserved.
- Strive to diversify the faculty ranks.
- Implement a more structured faculty mentoring plan.
- Take more measures to ensure that pre-tenure faculty members are all on equal footing and apprised of available resources and opportunities that will enable them to succeed.
- Rethink how the quality, quantity, and equity of departmental service is considered. Service should be understood as a means for every faculty member to be fully integrated into the fabric of the department, to understand how it runs, and be posed to be a future leader.
- Plan for increased rotation of departmental service roles while also being flexible; the department chair (potentially in consultation with the DEI committee) will consider faculty requests and rationale for particular service assignments.
- Form a rotating faculty DEI committee and rotating graduate student DEI committee. Ideally, both DEI committees will be in direct conversation and will share ideas that will strengthen the departmental culture.
- Have an annual meeting dedicated to discussing DEI concerns, preceded by anonymous feedback from the department community. Feedback received outside this mechanism will be brought up at department meetings in a timely manner and, if non-confidential, will be recorded in the meeting minutes.
- Continue to practice informed self-evaluation with respect to DEI throughout the department community through various means.
GRADUATE & UNDERGRADUATE STUDENTS
- Continue to enrich our curriculum by offering a range of courses that consider both geographically diverse visual cultures and a variety of methodological approaches.
- Work to provide effective mentoring for graduate students and improve communication about program requirements and processes.
- Continue efforts to build community among the undergraduate students.
- Develop strategies to address the achievement gap among our students through mentoring, effective communication, pedagogy, and professional development.
- Recognize the labor of all faculty in contributing to DEI teaching, service, and research.
Meet the HAVC DEI Committee
The committee consists of faculty, staff, graduate and undergraduate representatives. This highly collaborative committee is charged with representing all department constituents as we strive to build a model for successful inclusion, equity and diversity practices that foster a sense of belonging and value for all members of our community.
Evelyn Char
Evelyn Char (she/her) is a Ph.D. candidate in Visual Studies at the University of California, Santa Cruz, with a focus on the intersection of contemporary moving image works and conditions of migration, displacement, and border-crossing in Sino-Southeast Asia. Prior to joining UCSC, Evelyn was an art critic, lecturer, and television presenter based in Hong Kong. She was the recipient of the Hong Kong Arts Development Council’s Award for Young Artist (Art Criticism) in 2019.
Email: evelynchar@ucsc.edu

Nicole Furtado
Dr. Nicole Ku’uleinapuananioliko’awapuhimelemeleolani Furtado (she/her) is a Kanaka Maoli (Native Hawaiian) Assistant Professor in the History of Art & Visual Culture Department at the University of California, Santa Cruz. Her research builds on the methodology of mo’olelo or Native Hawaiian forms of storytelling, as a way to (re)imagine Indigenous futurities that move us beyond a “here-and-now” temporality and that which supports critical fabulations of Native relationality.
Email: furtado@ucsc.edu

Rosaline Kyo
Yi Yi Mon (Rosaline) Kyo (she/her) is an Assistant Professor of History of Art and Visual Culture at the University of California, Santa Cruz. Her research focuses on the visual construction of race, gender, and ethnic identities in 20th and 21st century Tibetan and Chinese visual cultures. Prior to coming to UCSC, Rosaline was an Assistant Professor of Chinese Art and Chinese Studies at Davidson College and a Mellon Postdoctoral Curatorial Fellow at the Berkeley Art Museum and Pacific Film Archive. She continues both her academic research and curatorial practices at UCSC.
Email: ykyo@ucsc.edu

Audrey Larson
Audrey Larson (she/her) is a second-year student from New Jersey, double majoring in Anthropology and HAVC with a Curation, Heritage, and Museums concentration. Her academic interests lie at the intersections of gender, sexuality, and the human body in material cultures as well as Oceanic arts, with a focus on understanding historically misunderstood/underrepresented perspectives. When she is not looking at art you’ll probably find her hiking or crafting with her friends.
Email: auslarso@ucsc.edu

Bee Vadakan
Vivan Bee Vadakan (she/her) is the History of Art and Visual Culture department manager. Bee has worked at UCSC for over 15 years and is a UCSC alum with degrees in Environmental Studies and Modern Literature. She believes that Black Lives Matter, that diversity enriches communities, that love is love, and that we all deserve an educational space where we feel valued, safe, and supported.
Email: vvadakan@ucsc.edu
