Fall 2019: Wednesdays, 11am-12pm
"The Arts of Queenship" (2019). National Museum of African Art, Smithsonian Institution.
“Cartographier l’île: perspectives (post)coloniales et féministes” (2019). French Culture Workshop, Department of French and Italian and the Division of Literatures, Cultures and Languages, Stanford University.
“Le Ventre du Morne: A Note on Women’s Emplacement in Colonized Territories” (2019). Panel: The Afterlife of Slavery. Graduate Research Symposium, UCSC.
“Imagining Insular Motherhood: Métissage, Mother Nation, and Marian Apparitions in Les Marrons (1844)” (2019). Panel: Representing, Remembering, and Reimagining the Francophone Islands. American Comparative Literature Association Conference, Washington, DC.
“The Queen’s Veil: Visibility Politics in the French Colonial Archive” (2019). Panel: Fashioning Resistance. College Art Association Conference, New York, NY.
“Comorian Repertoire: Women's Memory of the Black Indian Ocean” (2018). Indian Ocean World Centre Conference, McGill University, Montreal (Canada).
Multicampus Faculty Working Group Grant, UC Humanities Research Institute (UCHRI), 2019-2020.
Funding for Research Cluster “Feminist Futures in the Indian Ocean,” UC Santa Cruz, The Humanities Institute, 2019-2020.
Visual Studies Travel & Research Grant, UC Santa Cruz, 2019.
Social Science Research Council (SSRC) Dissertation Proposal Development, 2019.
"Collective Fabric," UC Art & Design Placemaking Initiative Award, University of California, 2019. See more about the Collective Fabric project here.
Graduate Student Fellowship, Smithsonian Institution, National Museum of African Art & National Museum of Natural History (joint appointment), 2019.
Art Dean’s Fund for Excellence, UC Santa Cruz, 2018 & 2019.
Jack Handford Award, Costume Society of America, 2018.
Provost Scholarship, The New School, 2014-2016.
LL.M. Scholarship, Université Paris 2 Panthéon-Assas, 2012-2013.