In addition to pursuing a degree in Visual Studies, I serve as Curator in Charge of the department of the Arts of Africa, Oceania and the Americas (AOA) at the deYoung Museum in San Francisco.
I joined the staff of the newly re-opened de Young Museum in 2005 and I have worked as Curator in Charge of the Department of the Arts of Africa, Oceania and the Americas since 2011. My area of expertise is Oceanic visual culture.
In my curatorial role, I organize and collaborate on exhibitions, publications, and public programs. My current exhibition is Maori Portraits: Gottfried Lindauer's New Zealand. Recent exhibitions include Royal Hawaiian Featherwork: Nā Hulu Ali‘i (2015) and Embodiments: Masterworks of African Figurative Sculpture (2015). The catalogue accompanying Embodiments: Masterworks of African Figurative Sculpture was co-edited with Manuel Jordán. I served as co-editor and contributed to the exhibition catalogue accompanying Royal Hawaiian Featherwork: Nā Hulu Ali‘i, winner of the Textile Society of America’s 2015 R. L. Shep Award and the Hawai‘i Book Publishers Association Ka Palapala Po‘okela award for Illustration/Photography. Other exhibitions include: Objects of Belief from the Vatican: Art of Africa, Oceania and the Americas (2013), Contemporary Omie Bark Cloth (2012), and Sacred Images and Chiefly Works of Polynesia, (2012).
Publications include New Guinea Highlands: Art in the Jolika Collection co-edited with John Friede and Terence Hays (San Francisco: Fine Arts Museums of San Francisco, 2017). Essays include: “Carving the Story: Recovering Histories of Sepik Art in the Jolika Collection” in The Materiality of Sepik Societies 2015: New visions, Old Problems. Le Journal de la Société des Océanistes,(forthcoming, 2018); “Cosmopolitan relationships in the crossroads of the Pacific Ocean,” in a 2015 Bloomsbury publication, Writing Material Culture History, edited by Giorgio Riello and Anne Gerritsen and “A tino aitu figure below the surface” in Nukuoro: Sculptures from Micronesia, edited by Christian Kaufmann, Oliver Wick, Nigel Stephenson, and Nora Scott, published in 2013. My dissertation focuses on indigenous visualities at the Midwinter International Exposition in San Francisco in 1894.