- UC Santa Cruz
- Visual Studies PhD
My research investigates the emergence of unofficial art practices in the final years of East Germany, and the ways in which these practices were conditioned by and/or responded to official cultural policy. Broader theoretical interests include aesthetic theory, the historicization and canonization of Cold War East Bloc life and culture, and new materialist art practices and discourse.
University of California at Santa Cruz
Porter Faculty Services
1156 High Street
Santa Cruz, CA 95064
Forthcoming. Contributions to The Handbook of East German Cinema: The DEFA Legacy, ed. Evan Torner and Henning Wrage. (Walter De Gruyter Press, 2015)
Review of Sarah E. James' Common Ground. German Photographic Cultures Across the Iron Curtain (New Haven: Yale University Press, 2013), Sehepunkte. (May 2015)
"Cold War Domestics - Home Arcives: Paulo Brusky & Robert Rehfeldt's Mail Art Exchanges from East Berlin to South America and Signs Fiction: Ruth Wolf-Rehfeldt at Chert gallery, Berlin, January 10 - March 28, 2015," ARTMargins Online. (March 2015)
Review of Seth Howes' dissertation "Punk Avant-Gardes: Disengagement and the End of East Germany," Dissertation Reviews. (March 2015)
"Whiter Alltag? How the Wende Museum revises East German history and why it matters," Verges: Germanic and Slavic Studies in Review 2.2 (2013).
Review of Nicholas Mirzoeff's The Right to Look (Durham: Duke University Press, 2011), Invisible Culture (January 2013).
"Being the woman they wanted her to be: Cornelia Schleime performs her Stasi file," Feminism and Art History's New Domesticities, University of Birmingham, England (July 3-4, 2015).
"The case of Cornelia Schleime: Reading signs of artist agency in Stasi Files," Reassessing East German Art: 25 Years After the Fall of the Berlin Wall, Iowa State University. (September 15-17, 2014).
"The body as a machine: System contact in the art of the Auto-Perforation Artists, Dresden 1985-1991", "Dropping Out of Socialism": Alternative Cultures in the Soviet Bloc, 1956-1991. University of Bristol, England. (June 5-6, 2014).
“The body under duress will be moved: American Pilots and East German Spectators in Pilots in Pyjamas (East Germany, 1968, Walter Heynowski &
Gerhard Scheumann)”, Society for Cinema and Media Studies, Seattle, WA (March
19 - 23, 2014).
October 2012 "Archiving the Public Sphere: Artist Responses to the Hot Autumn" German Studies Association Conference - Milwaukee
June 2012 "Culver City's Wende Museum: East Germany on the Pacific" Berlin Program for Advanced German & European Studies, Berlin Program Summer Workshop "German Studies Between the Global and the Local," Freie Universität - Berlin
April 2012 Art and Politics, Art History Graduate Symposium, University of Oregon - Eugene
Cold War art and culture (East and West Germany and East Bloc, in general)
Aesthetics and Politics
East German film (DEFA)
Theories and Art of Modernism (US, Europe, East Bloc)
Theories and Art of Post-Modernism (US, Europe, and East Bloc)
German Academic Exchange Service (DAAD), Research Grant for Doctoral Candidates, 2014-15 academic year in Berlin
Coalition of Women in German, Zantop Travel Award, 2014
Arts Dean Fund for Excellence, University of California - Santa Cruz, 2013, 2014 & 2015.
Summer Institute on Conducting Archival Research, Invited to participate in one week workshop held at George Washington University, May 2013
German Academic Exchange Service (DAAD), German Studies Research Grant, 2012
Porter College Travel/Research Grant, University of California - Santa Cruz, 2012, 2013, 2014, 2015
University of California Santa Cruz, Regents' Fellowship, 2011-12